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Heading down to the chorus is the lyric that'll dominate your Tiktok feed for the next several weeks. Opinions on the correct interpretation of this line differ based on the perspective of the listener. To some, the lyric is Swift's intrusive thoughts, that she knows she's the problem and that she's actually the antihero. She says later in the chorus "It must be exhausting always rooting for the anti-hero."
Piper Parajo and Sloane MacBrute are two 13-year-old girls with very different lives but very similar secrets. At school, Piper is pretty and popular, upbeat and always willing to help out her friends, whereas Sloane is a loaner, smart and snarky but with zero friends and zero interest in having any. Outside of the classroom, Piper is strong, really strong, like ripping the doors off of cars strong. She longs to be a superhero and tries to use her powers to do good, even if she tends to leave a massive mess in her wake. Sloane on the other hand is smart, like evil-genius level smart, and in order to provide for her mother, she puts those smarts to use for her villainous grandfather.
Answer: An anti-hero is a type of character in literature who lacks the qualities of a traditional hero, like morality or a clear interest in rules. Anti-heroes are not the villains of the story because there are reasons to cheer for them, despite their complex motivations and questionable actions. Two examples from TV series are Tony Soprano and Walter White.
The above five types of characters present the sliding scale of the anti-hero, and the chances that the anti-hero will reform into a regular, morally good hero diminish significantly as you go up the scale
An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a story who lacks conventional heroic qualities and attributes, such as idealism, courage, and morality. Although antiheroes may sometimes perform actions that are morally correct, it is not always for the right reasons, often acting primarily out of self-interest or in ways that defy conventional ethical codes.
This version more closely resembles the pop star persona that's accessible and visible to the public. She is shown planting harmful thoughts into the real Swift's head, like "Everyone will betray you," and body-shaming her.
word-forming element of Greek origin meaning "against, opposed to, opposite of, instead," shortened to ant- before vowels and -h-, from Old French anti- and directly from Latin anti-, from Greek anti (prep.) "over, against, opposite; instead, in the place of; as good as; at the price of; for the sake of; compared with; in opposition to; in return; counter-," from PIE *anti "against," also "in front of, before" (from root *ant- "front, forehead," with derivatives meaning "in front of, before"), which became anti- in Italian (hence antipasto) and French.
It is cognate with Sanskrit anti "over, against," and Old English and- (the first element in answer). A common compounding element in Greek, in some combinations it became anth- for euphonic reasons. It appears in some words in Middle English but was not commonly used in English word formations until modern times. In a few English words (anticipate, antique) it represents Latin ante.
In noun compounds where it has the sense of "opposed to, opposite" (Antichrist, anti-communist) the accent remains on the anti-; in adjectives where it retains its old prepositional sense "against, opposed to," the accent remains on the other element (anti-Christian, anti-slavery).
late 14c., "man of superhuman strength or physical courage," from Old French heroe (14c., Modern French héros), from Latin heros (plural heroes) "hero, demi-god, illustrious man," from Greek hērōs (plural hērōes) "demi-god," a variant singular of which was hērōe. This is of uncertain origin; perhaps originally "defender, protector" and from PIE root *ser- (1) "to protect," but Beekes writes that it is "Probably a Pre-Greek word."
For example, consider the popular Hollywood films and genres from the mid-1940s through the 1970s. Film Noir, Westerns, Outlaw Biker Films, Cop Dramas, Mob Films and Sci-Fi Films have featured anti-heroes who have become some of the most iconic movie characters of all time, such as:
The world included far more shades of gray, and the characters on the silver screen needed to reflect a broader view of morally acceptable behavior. Traditional heroes were just far too un-relatable.
The user is an anti-hero. They have either been a victim to some kind of evil making them take a darker path, or they feel brutal methods are necessary to make a difference. They may also just like killing and have no prior explanation as to why. Users may also be reformed villains themselves who decided to use their dark skills for good.
The textbook definition of an anti-hero in a story is a lead character who lacks qualities of traditional heroes, such as courage and morality. To make up for this they might be exceptionally skilled in a certain area or have an interesting flaw that makes them more complex character.
But an anti-hero is still fundamentally good at heart and not a bad guy. They're just willing to do whatever it takes to save their loved ones instead of playing by the rules all the time. So while you shouldn't root for your hero to suffer because he's doing bad things, you also shouldn't be against them because their heart is always in the right place.
An anti-villain is the polar opposite of an anti-hero: a character with heroic qualities, who turns out to be the villain. Their intended goals are usually good, but their methods range from bad to ugly.
Anti-heroes are still good people, but their approach to achieving what they want might be different than what society deems "acceptable". On the other hand, an anti-villain is evil and does whatever it takes to get ahead no matter who gets hurt in the process.
An anti-hero will often do what's best for their own self-interest even if it means putting other people in danger. They're not necessarily evil, but they definitely don't have the same sense of honor and duty as a traditional hero does.
An anti-hero's belief in something is what motivates them and sometimes they can be morally grey. They're fighting for the greater good, just not necessarily playing by all of the rules that a hero would follow. In this way, they can be more relatable to readers because their actions are understandable even if you wouldn't do them yourself in real life.
But because their methods are often questionable, this can also lead to a lot of inner conflict and turmoil for the anti-hero. They're doing what they think is right, but it's hard to be proud of their questionable deeds when they were selfish or done at someone else's expense.
One of the defining characteristics of anti-heroes is their unwillingness to play by the rules and live up to expectations put on them. They don't want someone else telling them what they can or cannot do, even if it's for their own good. So while a traditional hero may be loyal and follow orders from those in charge, an anti-hero will often go against these commands when given the opportunity.
For example, Batman is one of the most famous anti-heroes because he's extremely wealthy but also has to spend his nights fighting crime as a vigilante. Because of the death of his parents, Batman has a cynical view of Gotham city and the criminals in it which can cause him to be aggressive and combative to reach his goals.
One of the reasons anti-heroes act differently than heroes is because they've probably experienced some pretty traumatic events in their lives. This can include losing someone close to them or getting betrayed by people who were supposed to be trustworthy.
Anti-heroes tend not to have the same kind of character arc as their classic hero counterparts. This is because their motivation for doing good usually doesn't come from wanting to be a hero themselves, but rather from other reasons such as seeking revenge or trying to make up for their past mistakes.
They develop into becoming better people through the story usually by letting go of their anger or cynicism and coming to terms with what they've done. But this doesn't necessarily mean that the anti-hero becomes a traditional hero at all either, as sometimes their selfless actions can be motivated by selfish reasons such as wanting people's approval or just being bored of doing nothing.
What can really make an anti-hero compelling and can get the audience to root for your anti-hero is to give them instances where they are trying to be a better person. As long as your anti-hero isn't enjoying being bad, they'll root for your character.
Dexter is an interesting anti-hero because on the outside he seems like a regular guy. But unbeknownst to most people, Dexter is actually a serial killer who only kills bad people. He has an ethical code that he lives by, which means that the average person is safe from his wrath. But because of his double life and all the killing he does, Dexter often struggles with mental health issues.
As mentioned earlier in this article, Batman is the quintessential anti-hero of all of superherodom. He's wealthy, intelligent and skilled in many martial arts - but instead of using these talents for good like traditional superheroes, he uses them to fight crime at night. He has a cynical outlook on the world and often feels like he's carrying the weight of the world on his shoulders.
Michael Corleone is another great example of an anti-hero because his motivations for doing what he does are never quite clear. He goes from being a naive kid who just wants to help his family, to becoming one of the most ruthless mobsters in history. And along the way, Michael kills a lot of people - but often because he feels like he has no other choice. 781b155fdc